Sculpt Match EQv 1.0
macOSAU · AAX · VST3
WindowsVST3

Capture your audio.
Sculpt it segment by segment.

Fine-detail EQ, gain and timing on every segment of a capture — set one segment as the reference and correct the rest toward it, or shape each one by hand.

Balanced baseline for vocals · Dialogue for film · Relieves the need for automation

$79 $125 Until Black Friday
Buy now Download macOS Download Windows

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Profiler Modifier ∗ Auto gain Crossfade Grid freq
EQ mode across five segments of a vocal capture: the first segment is Profiler A with a white curve, the rest are bound modifiers with purple curves, each over its own 20 Hz to 20 kHz axis
EQ matching Editable curve 20 Hz – 20 kHz Gain slider

EQ mode — 5-Vocal Demo Lead Takes

Walkthrough — video coming soon
How it works

Capture once. Then match every segment to a reference — EQ and gain — in seconds.

A ready-to-work baseline in three moves, without drawing a single automation curve.

01

Choose a profiler

Right-click the segment whose character you favour and set it as the reference — tone and dynamic level both.

02

Assign modifiers

Bind the segments you want corrected toward it. Eight profiler slots means eight references in one capture.

03

Match EQ and gain

One slider per mode brings tone and level toward the profiler. Change the profiler and everything bound to it follows instantly.

Any segment can still be shaped by hand, at any point. Draw its curve, place gain nodes, or double-click to subdivide an auto segment and isolate a single moment inside it — no automation lanes for EQ or gain.

01 — Set Profiler → A–H
Right-click menu on a segment showing Set Profiler, Use Modifier and Restore Default, with the eight profiler slots A to H in the submenu
02 — Use Modifier → A
The Use Modifier submenu open, binding the selected segment to profiler A
Gain mode

Level matched to dynamic character

Conventional levelling flattens a performance — it ignores intentional silence and the shape of a delivery. This follows dynamic character instead, and only touches segments you've modified.

Profiler Grid dB
Gain mode: modifier segments tinted amber by how far each moved from source, white manual gain nodes on the waveforms, and the profiler segment left neutral grey
Gain matching Draw on the waveform Gain slider

Gain mode — colour shows how much each segment was adjusted

Time mode

Timing and cleanup for the capture

Split, move, trim and fade. Nothing is corrected here — no matching, no tint, no profiler. Time mode is manual work in service of the capture, which is why it comes last.

Boundary Drag grip Fade 135 ms Grid auto
Time mode: red boundary handles along the waveform, one segment selected and moved leaving a gap, fade ramps at its edges and mute badges at its lower corners
M — mute Moved segment

Time mode — a moved segment with fades, boundary handles and mute

Notes

Good to know

The behaviours you can’t see in a screenshot.

Original Eight slots
Toolbar detail: Compare A B C with B active, Detector set to LUFS with RMS alongside, and profiler slots A to H with A active
LUFS or RMS
  • Compare A / B / C. A stays the untouched original, timing included. Your first adjustment puts you in B; C copies B.
  • Colour shows how much was adjusted. Segments shade by the correction applied; the profiler stays neutral.
  • Double-click to subdivide. Split an auto segment to isolate a moment inside it — a single harsh word in a phrase.
  • Auto Gain. AG holds level while the tonal baseline shifts — no drop after a subtractive move.
  • Stereo. Both sides move together; hold Alt for one side.
  • Formats. AU, AAX and VST3 on macOS; VST3 on Windows. Regular capture — no ARA.
Get it

$79 until Black Friday

Regularly $125. AU, AAX and VST3 on macOS; VST3 on Windows.

Buy now Download macOS Download Windows View manual